Made across two continents, Haunted is the fourth solo album by Ohio-based singer/songwriter Steve Madewell. Much of the recording took place in Steve’s barn with additional recording, mixing and mastering by Martin Stansbury at Cacophony Cottage in Cornwall, England.

Steve performs both a solo artist and with ensembles. His experience in the conservation field obviously influenced his the imagery in his songs. Steve worked with Martin Stansbury (whom he met through friend and fellow songwriter Sarah McQuaid) to build this selection of tunes from his un-recorded repertoire.

The album opens with a murder ballad “Haunted”. A tragic story, set in a different time. The manifestation of a poor choice, full of regret and loss, with dire consequences of the most profound and horrible kind. A haunting on multiple levels. The song begs the question: Is this a personal metaphor or a fabrication?

We are all haunted by personal foibles, misguided desires and shortcomings, and struggle with uncontrollable realities, aging, loss, and social inequities. Emotionally, this record dances with, or around many of these feelings, often with a very personal edge. And there is more than anxiety and loss in the project.

Madewell includes a dose of humor with “Carry That Tune,” “Matter of Time,” and the bluesy tongue-in-cheek “Late As Usual.” A message of love and balance is reflected in " My Mother's Prayers,” “The Good Old Days,” and “I Know That I Need You.” Social injustice is called out with “All I Want.”

The album shows the influence of several musical genres, all showcased in a folk format. “Drake Hollow” is about the Underground Railroad, and has a definite trad feel. I Can’t Get You Off Of My Mind is a folk/bluegrass lost love song. The soft rock, “All I Want” is just edgy enough to comment appropriately on police brutality. The weight of something lost is the heaviest of all.

Melodies, lyrics, and vocals by Steve Madewell except for a brief interpretation of “I’ll Fly Away”. Produced by Martin Stansbury and Steve Madewell. Mixed and Mastered by Martin Stansbury at Cacophony Cottage. Supporting musicians and vocalists include Caroline Quine, Andrew Bonnis, Christine King, Erik Diaz, Sarah McQuaid, Roger Luxton, and Martin Stansbury.